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The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images by Christiane Gruber (January 2018)

The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images by (…)

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Christiane Gruber is Professor of Islamic Art at the University of Michigan, Ann Arbor. Her primary field of research is Islamic painting, in particular illustrated books of the Prophet Muhammad’s ascension. She is author of The Timurid Book of Ascension (Mi‘rajnama): A Study of Text and Image in a Pan-Asian Context and The Ilkhanid Book of Ascension: A Persian-Sunni Devotional Tale. She is editor (with Frederick Colby) of The Prophet’s Ascension: Cross-Cultural Encounters with the Islamic Mi‘raj Tales and (with Avinoam Shalem) The Image of the Prophet Between Ideal and Ideology: A Scholarly Investigation.


In the wake of controversies over printing or displaying images of the Prophet Muhammad, Christiane Gruber’s aim is to bring back into scholarly and public discussion the ‘lost’ history of imagining the Prophet in Islamic cultures. By studying the various verbal and visual constructions of the Prophet’s character and persona over the course of more than one thousand years, Gruber seeks to correct public misconceptions and restore to Islam its rich artistic heritage, illuminating the critical role Muhammad has played in Muslim constructions of self and community at different times and in various cultural contexts.

The Praiseworthy One is an exploration of the Prophet Muhammad’s significance in Muslim life and thought from the beginning of Islam to today. It pays particular attention to procedures of narration, veneration, and sacralization. Gruber stresses that a fruitful approach to extant textual and visual materials is one that emphasizes the harnessing of Muhammad’s persona as a larger metaphor to explain both past and present historical events, to build and delineate a sense of community, and to help individuals conceive of and communicate with the realm of the sacred. The Praiseworthy One shows that Muhammad has served as a polyvalent symbol rather than a historical figure with fixed significance.



Chapter 1: Paintings of the Enthroned Prophet-King
Chapter 2: Narrative Images of the Heroic Prophet
Chapter 3: Mystical Visions of the Prophet
Chapter 4: Safavid Paintings and a "Shi‘i" Muhammad
Chapter 5: Ottoman Prophet-Centered Devotions
Chapter 6: The Modern Muhammad



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